* * * * CHER * * * *

CHER

SIDE ONE

I FOUND SOMEONE . . . . . . . . . . . . . . . . . . 3:42

WE ALL SLEEP ALONE . . . . . . . . . . . . . . . .3:53

BANG-BANG . . . . . . . . . . . . . . . . . . . . . . . 3:51

MAIN MAN . . . . . . . . . . . . . . . . . . . . . . . . 3:48

GIVE OUR LOVE A FIGHTIN’ CHANCE . . . .4:06

SIDE TWO

PERFECTION . . . . . . . . . . . . . . . . . . . . . . .4:28

DANGEROUS TIMES . . . . . . . . . . . . . . . . . 3:01

SKIN DEEP . . . . . . . . . . . . . . . . . . . . . . . .4:16

WORKING GIRL . . . . . . . . . . . . . . . . . . . . .3:57

HARD ENOUGH GETTING OVER YOU . . . . .3:48

LYRICS:

SIDE ONE

I FOUND SOMEONE
(Michael Bolton/Mark Mangold)

DON’T YOU KNOW
SO MANY THINGS THEY COME AND GO
LIKE YOUR WORDS THAT ONCE RANG TRUE
(JUST) LIKE THE LOVE I THOUGHT I FOUND IN YOU
AND I REMEMBER THE THUNDER
TALKIN’ ‘BOUT THAT FIRE IN YOUR EYES’
BUT YOU WALKED AWAY WHEN I NEEDED YOU MOST

CHORUS:

NOW, MAYBE BABY MAYBE BABY
I FOUND SOMEONE
TO TAKE AWAY THE HEARTACHE
TO TAKE AWAY THE LONELINESS
I’VE BEEN FEELIN’ SINCE YOU’VE BEEN GONE
SINCE YOU’VE BEEN GONE
DRY YOUR EYES
I NEVER COULD BEAR TO SEE YOU CRY
SOMEDAY YOUR LOVE WILL SHINE THROUGH
SHOW YA THE FEELING THAT YA NEVER REALLY KNEW BUT BABY DON’T YA LOSE THAT THUNDER
TALKIN’ ‘BOUT THAT FIRE IN YOUR EYES
YOU’RE LOOKIN’ AT ME, BUT YA STILL DON’T BELIEVE

CHORUS:
BRIDGE:

TOO LONG ON THE BORDER LINE
WONDERIN’ IF YOUR LOVE WAS REALLY MINE
BUT YOU LEFT ME WITH OPEN EYES
AND WHEN I REALIZED

CHORUS:

1985 April Music Inc/Is Hot Music/But For Music Td ASCAP
Produced by Michael Bolton for MBO Productions, Inc
Drums: Chris Parker
Bass: Will Lee
Guitar: Steve Lukather, John McCurry
Guitar Solo: Steve Lukather
Keyboards: Jeff Bova, Phil Ashley, Doug Katsoros
Featured Background Vocal: Patty Darcy
Recorded by Michael Christopher
Recorded at Power Stations, NY and A & M Recording Studios, LA
Mixed by David Thoener
Mixed at the Record Plant, NY
Steve Lukather appears courtesy of CBS Records

WE ALL SLEEP ALONE
(JON BON JOVI/RICHIE SAMBORA/DESMOND CHILD)

SOMEBODY, SOMEWHERE TURNS OFF THE LIGHTS
SOMEBODY ALL ALONE FACES THE NIGHT
YOU GOT TO BE STRONG
WHEN YOU’RE OUT ON YOUR OWN
CAUSE SOONER OR LATER
WE ALL SLEEP ALONE
NOBODY NOWHERE HOLDS THE KEY TO YOUR HEART
WHEN LOVE’S A POSSESSION IT’LL TEAR YOU APART
YOU MAY HAVE LOVERS WHEREVER YOU ROAM
BUT SOONER OR LATER
WE ALL SLEEP ALONE

BRIDGE:

THE YOUNG AND THE YOUNG AT HEART WAIT
BUT THE WAIT NEVER ENDS IN THE SOUL
WHEN YOU FEEL LIKE IT’S ALL BLOWN AWAY
INDEPENDENCE HAS COME
AND INTO THE NIGHT I GO
DON’T MAKE NO PROMISES
THAT I CAN’T KEEP
WON’T BE NO PRISONER
OF SOMEBODY’S NEEDS
WELL YOU MAY HAVE LOVERS
WHEREVER YOU ROAM
BUT SOONER OR LATER
WE ALL SLEEP ALONE

1987 April Music Inc/Desmobile Music Co/Bon Jovi Publ/Polygram Music Publ Inc ASCAP
Produced by Desmond Child/Jon Bon Jovi/Richie Sambora
Drums: Tico Torres
Bass: Alec John Such
Guitar: Richie Sambora
Keyboards/Synthesizer: David Bryan
Additional Keyboards: Chuck Kentis
Background Vocals: Louis Merlino, Bernie Shanahan, Joe Lynn Turner, Desmond Child, Holly Knight, Jon Bon Jovi, Richie Sambora
Featured Background Vocal: Nancy Nash
Recorded by Arthur Payson
Additional Engineering: Rob Jacobs
Recorded at Electric Lady Studio, The Hit Factory, Bearsville Studios, A & M Recording Studios
Mixed by: Bob Rock
Mixed at Little Mountain Sound, Vancouver
Bernie Shanahan appears courtesy of Atlantic Records
Jon Bon Jovi, Richie Sambora, Alec John Such, Tico Torres and David Bryan appear courtesy of Polygram Records, Inc.

BANG – BANG
(SONNY BONO)

BANG BANG YOU SHOT ME DOWN
BANG BANG I HIT THE GROUND
BANG BANG THAT AWFUL SOUND
BANG BANG MY BABY SHOT ME DOWN
I WAS FIVE AND YOU WERE SIX
WE RODE ON HORSES MADE OF STICKS
I WORE BLACK YOU WORE WHITE
YOU WOULD ALWAYS WIN THE FIGHT
BANG BANG YOU SHOT ME DOWN
BANG BANG I HIT THE GROUND
BANG BANG THAT AWFUL SOUND
BANG BANG MY BABY SHOT ME DOWN
SEASONS CAME AND CHANGED THE TIME
I GREW UP I CALLED YOU MINE
YOU WOULD ALWAYS LAUGH AND SAY
REMEMBER WHEN WE USED TO PLAY
BANG BANG YOU SHOT ME DOWN
BANG BANG I HIT THE GROUND
BANG BANG THAT AWFUL SOUND
BANG BANG MY BABY SHOT ME DOWN
MUSIC PLAYED AND PEOPLE SANG
JUST FOR ME THE CHURCH BELLS RANG
AFTER ECHOES FROM A GUN
WE BOTH VOWED THAT WE’D BE ONE
NOW HE’S GONE I DON’T KNOW WHY
SOMETIMES I CRY
YOU DIDN’T SAY GOOD BYE
YOU DIDN’T TAKE THE TIME TO LIE
BANG BANG YOU SHOT ME DOWN
BANG BANG I HIT THE GROUND
BANG BANG THAT AWFUL SOUND
BANG BANG MY BABY SHOT ME DOWN

1966 Cotillion Music Inc/Chrismarc Music BMI
Produced by Jon Bon Jovi, Desmond Child, Richie Sambora
Drums: Tico Torres
Bass: Alec John Such
Guitar: Richie Sambora
Keyboards: David Bryan
Additional Keyboards: Holly Knight and Chuck Kentis
Background Vocals: Jon Bon Jovi, Myriam Valle, Diana Crasselli, Desmond Child, Michael Bolton, Bernie Shanahan, Joe Lynn Turner, Dave Meniketti
Recorded by Arthur Payson
Additional Engineering: Shelly Yakus, Rob Jacobs
Recorded at Electric Lady Studio, Grant Sound, NY The Hit Factory NY, Bearsville Studios, A & M, Recording Studios LA
Mixed by: Bob Rock
Mixed at Little Mountain Sound, VanCouver
Michael Bolton appears courtesy of Columbia Records
Jon Bon Jovi, Richie Sambora, Alec John Such, Tico Torres and David Bryan appear courtesy of Polygram Records, Inc.
Bernie Shanahan appears courtesy of Atlantic Records

MAIN MAN
(DESMOND CHILD)

YOU’RE MY MAIN MAN
WHEN YOU CALL MY HEART GOES SAILIN’
MY FEET REFUSE TO TOUCH THE GROUND
WHEN YOU COME AROUND
YOU’RE MY MAIN MAN
THAT’S WHAT THE NEIGHBORHOOD’S BEEN SAYIN’
EVEN MOTHER KNOWS YOUR NAME
I’LL TAKE YOUR LOVE AND NEVER BE THE SAME

CHORUS:

OH, YOU’RE MY MAIN MAN
I AM YOUR ONLY WOMAN
OH, YOU’RE MY MAIN MAN
FOREVER
YOU’RE MY MAIN MAN
PAID THE GYPSY TO KEEP PRAYIN’
I’LL KEEP A CANDLE LIT FOR LOVE
AND WATCH THE STREET
FOR YOU FROM UP ABOVE

CHORUS:

YOU’RE MY MAIN MAN
WHEN YOU CALL MY HEART GOES SAILIN’
I’LL KEEP A CANDLE LIT FOR LOVE
AND WATCH THE STREET
FOR YOU FROM UP ABOVE

CHORUS:

1987 April Music Inc/Desmobile Music Co ASCAP
Produced by Desmond Child
Drums: Jerry Marotta
Bass: Seth Glassman
Guitar: John Putnam and John McCurry
Acoustic Piano: Bette Sussman
Keyboards/Synthesizer: Chuck Kentis
Featured Background Vocal: Elaine Caswell
Additional Background Vocals: Myriam Valle, Elaine Caswell, Joe Lynn Turner, Louis Merlino, Desmond Child
Recorded by Arthur Payson
Recorded at Bearsville Studios and The Hit Factory, NY
Mixed by David Thoener
Mixed at Bearsville Studios

GIVE OUR LOVE A FIGHTIN’ CHANCE
(DESMOND CHILD/DIANE WARREN)

SO YOU WANNA THROW OUR LOVE AWAY
SO YOU THINK WE OUGHT-A SAY GOODBYE
AND YOU TELL ME WE’VE RUN OUT-A TIME
CAN’T MAKE A HEART
STOP ON A DIME
YOU COULD ALWAYS WALK AWAY
LIKE YOU NEVER SAW MY FACE
IF YOU WANTED TO
YOU COULD TELL YOURSELF A LIE
SAY THIS LOVE AIN’T WORTH A TRY
BUT YOU KNOW THAT ISN’T TRUE
YOUR HEART IS TELLIN’ YOU

CHORUS:

WHOA . . . WE GOTTA TAKE A STAND
GIVE OUR LOVE A FIGHTIN’ CHANCE
WE CAN TALK IT OVER BABY
WOMAN TO MAN
GIVE OUR LOVE A FIGHTIN’ CHANCE
SO YOU THINK YOU’LL WISH IT ALL AWAY
CLICK YOUR HEELS AND LEAVE IT ALL BEHIND
BUT YOU DON’T KNOW THAT IN THE REAL WORLD
YOU GOTTA FIGHT TO KEEP LOVE ALIVE
THERE’S A BATTLE TO BE WON
AND IF BOTH OUR HEARTS ARE STRONG
WE CAN MAKE IT THROUGH
SO DON’T TURN YOU BACK AND RUN
‘CAUSE YOUR HEART’S UNDER THE GUN
IT’S A CASE OF DO OR DIE
BREAK DOWN THE WALLS OF PRIDE

CHORUS:

1987 April Music Inc/Desmobile Music Co/RealSongs ASCAP
Produced by Desmond Child
Drums: Jerry Marotta
Bass: John Siegler
Guitar: John McCurry
Keyboards/Synthesizer: Gregg Mangiafico and Chuck Kentis
Background Vocal: Myriam Valle, Elaine Caswell, Louis Merlino
Recorded by Arthur Payson
Recorded at Bearsville Studios and The Hit Factory, NY
Mixed by David Thoener
Mixed at Bearsville Studios

SIDE TWO

PERFECTION
(DESMOND CHILD/DIANE WARREN)

HUSH LITTLE BABY, GOTTA BE STRONG
‘CAUSE IN THIS WORLD WE ARE BORN TO FIGHT . . .
BE THE BEST, PROVE THEM WRONG
A WINNER’S WORK IS NEVER DONE . . .
REACH THE TOP, NUMBER ONE
PERFECTION . . .
OH, PERFECTION
YOU DRIVE ME CRAZY WITH PERFECTION
I’VE WORN MY PRIDE AS MY PROTECTION
PERFECTION . . . OH!

VERSE I:

I WAS TAUGHT TO BE TOUGH
THAT THE BEST THAT YOU CAN BE AIN’T ENOUGH
CRACK THE WHIP, SACRIFICE
BUT I FOUND OUT PARADISE HAD A PRICE
I DIDN’T KNOW IT THEN
BUT OH I KNOW IT NOW
YOU GOTTA WORK AS HARD AT LOVE
TO MAKE THE LOVE WORK OUT
YOU KNOW THIS HEART OF MINE
HAS MADE SOME BIG MISTAKES
I GUESS THAT WHEN IT COMES TO LOVE
I JUST DON’T KNOW WHAT IT TAKES . . .

CHORUS:

ALL MY LIFE I’VE BEEN DRIVEN BY PERFECTION
PUSHED IT TO THE LIMIT EVERY DAY AND NIGHT
WHOA . . . I’VE BEEN DRIVEN BY PERFECTION
BUT NOTHIN’S PERFECT WHEN LOVE AIN’T RIGHT
NOTHIN’S PERFECT T WHEN LOVE AIN’T RIGHT . . .

VERSE 2:

GAVE IT ALL
PLAYED MY PART
I GAVE EVERYTHING I HAD BUT MY HEART
WORKED SO HARD
MADE A NAME
BUT THE LONELINESS INSIDE STAYS THE SAME
WHEN LOVE IS HERE TO TODAY
AND THEN IT’S GONE TODAY
YOU GOT A LIST OF LOVERS LOOKIN’ LIKE A RESUME
YOU GOTTA TAKE SOME TIME
TO MAKE IT SOMETHING REAL
I GUESS THAT WHEN IT COMES TO LOVE
I JUST DON’T KNOW HOW TO FEEL

CHORUS REPEAT
VERSE 3:

OH, PERFECTION
YOU DRIVE ME CRAZY WITH PERFECTION
I’VE WORN MY PRIDE AS MY PROTECTION
I’M GOIN’ CRAZY WITH PERFECTION

1987 April Music Inc/Desmobile Music Co/RealSongs ASCAP
Produced by Desmond Child
Drums: Jimmy Bralower and Jerry Marotta
Guitar: John McCurry
Keyboards/Synthesizer: Gregg Mangiafico and Chuck Kentis
Bass: Tony Levin
Featured Vocal: Darlene Love, Bonnie Tyler
Background Vocals: Myriam Valle, Diana Grasselli, Diane Warren Louis Merlino, Joe Lynn Turner, Elaine Caswell
Recorded by Arthur Payson
Additional Engineering by: Gene Parciasepe
Recorded at Bearsville Studios and The Hit Factory, NY
Mixed by David Thoener
Mixed at Bearsville Studios
Bonnie Tyler appears courtesy of CBS Records
Darlene Love appears courtesy of Columbia Records

DANGEROUS TIMES
(SUSAN POMERANTZ/ROGER BRUNO/ELLEN SCHWARTZ)

I DON’T KNOW IF IT’S IN MY MIND
WATCHING ALL THE SHADOWS BEHIND ME
I COULD GET HURT
OR MAYBE THIS TIME
THE CLOUD HAS GOT A SILVER LINING
AND IF I’M SCARED I GOT A RIGHT TO BE
I KNOW YOU COULD WOUND ME CRITICALLY

CHORUS:

THESE ARE DANGEROUS TIMES
AND IF I TAKE SOME CHANCES
PUT MY HEART ON THE LINE
WHAT WOULD YOU DO TO ME
IF I GIVE MYSELF UP
TO THESE CIRCUMSTANCES
IN THESE DANGEROUS TIMES
WOULD YOU KEEP ME SAFELY
OVER THE HILL THERE’S AN ARMY OF FOOLS
WAITING FOR THEIR HEARTS TO BE BROKEN
HOW DO I KNOW
IF I’M GONNA EXPLODE
WHEN I COME OUT IN THE OPEN
’CAUSE EVEN LOVERS CAN TURN INTO ENEMIES
I DON’T WANNA BE A CASUALTY
THESE ARE DANGEROUS TIMES
AND IF I TAKE SOME CHANCES
PUT MY HEART ON THE LINE
WHAT WOULD YOU DO TO ME
IF I GIVE MYSELF UP
TO THESE CIRCUMSTANCES
IN THESE DANGEROUS TIMES
WOULD YOU KEEP ME
WOULD YOU KEEP ME
BABY WOULD YOU KEEP ME SAFELY TONIGHT
CAN I TRUST YOU WITH ALL OF MY AFFECTION
CAN I TRUST YOU TO BE ON MY SIDE
IN THESE DANGEROUS TIMES

1987 Rightsong Music Inc/Bruno & Schwartz Music/Pomer Rants Music BMI International
Produced by Peter Asher
Drums: Carlos Vega
Bass: Larry Klein
Guitar: Mike Landau, Waddy Wachtel
Guitar Solo: Bob Mann
Keyboards: Bill Payne
Percussion: Mike Fisher, Peter Asher
Background Vocals: Rosemary Butler, Arnold McCuller
Recorded by Frank Wolf
Recorded at Schnee Studio LA, The Complex, LA and Record One LA
Mixed by Frank Wolf
Mixed at the Complex LA

SKIN DEEP
(JON LIND/MARK GOLDENBERG)

YOU CAME ON TO ME A HOUSE ON FIRE
ONE LOOK WAS ALL IT TOOK FOR MY DESIRE
I’M STILL BURNIN’
IT’S THE MIDDLE OF THE NIGHT
I NEED SOMETHIN’
THAT CAN MAKE ME FEEL ALRIGHT AS I GO

CHORUS:

SKIN DEEP – TO THE BONE
EVERY TIME I SEE YOUR FACE I GO
SKIN DEEP – TO THE BONE
TELLIN’ ME THAT I’M IN TROUBLE
S.O. S.
I’M IN DISTRESS – TONIGHT
KNOCK KNOCK IN THE DARK – WHAT WILL I FIND
YOUR EYES – HYPNOTIZE – BUT CAN THEY READ MY MIND
WATCH YOUR STEP NOW
WE’RE GETTING’ CLOSER TO THE EDGE
THIS IS DANGEROUS
AND ALL THE LIGHTS ARE FLASHING RED AS I GO

CHORUS:

SKIN DEEP – TO THE BONE
EVERY TIME I SEE YOUR FACE I GO
SKIN DEEP – TO THE BONE
TELLIN’ ME THAT I’M IN TROUBLE
SKIN DEEP – TO THE BONE
EVERY TIME I HEAR YOUR VOICE I GO
SKIN DEEP – TO THE BONE
TELLIN’ ME THAT I’M IN TROUBLE
TOO FAR GONE
CAN’T HOLD ON – TONIGHT – NOT TONIGHT
I’M STILL BURNIN’
IT’S THE MIDDLE OF THE NIGHT
I NEED SOMEONE
WHO CAN MAKE ME FEEL ALRIGHT AS I GO

CHORUS:
VAMP CHORUS:

1980 Big Mystique Music/Music Corporation of America Inc/Fleedleedee Music BMI
Produced by: Jon Lind
Drums and Drum Programming: Craig Krumpf
Synthesizer Bass: John Van Tongeren
Electric Bass: Jimmy Haslip
Guitar: Michael Thompson
Synthesizer Organ: Mark Morgan
All other Synthesizers: John Van Tongeren
Background Vocals: Debra Dobkin, Maxine Waters, Julia Waters
Vamp Vocal: Maurice White
Recorded by Daren Klein, Csaba Petocz
Recorded at the Grey Room LA, and One On One Studios in Hollywood CA
Mixed by David Thoener
Mixed at The Record Plant NY
Jon's Production Assistant: Jolie Levine
Maurice White appears courtesy of CBS Records Jimmy Haslip appears courtesy of MCA Records Inc

WORKING GIRL
(DESMOND CHILD/MICHAEL BOLTON)

COME MONDAY MORNING
YOU SEE HER WAITIN’ ON THE STREET FOR HER RIDE
IN AN HOUR SHE’LL BE WORKING
IN A TOWER MADE OF STEEL IN THE SKY
SHE’S JUST A PAWN IN THE STRUGGLE
IN A NEVER-ENDING FIGHT TO SURVIVE
MAMA HAD TO PLAY SOMEONE ELSE’S GAME
YOU LEARN TO KEEP IT INSIDE

CHORUS:

WORKING GIRL, LIVIN’ IN A MAN’S WORLD
WORKING GIRL, YOU GOTTA TAKE A STAND, GIRL
THE BOSS CHECKS OUT HER BODY
SHE’S ON THE TELEPHONE TELLIN’ HIS LIES
RUN AND GET THE COFFEE
AND A SMILE HIDES THE RAGE IN HER EYES
TONIGHT SHE’S SEARCHING FOR A REASON
AS SHE’S WALKING HOME ALONE IN THE RAIN
MAMA HAD TO PLAY SOMEONE ELSE’S GAME
SOMEDAY SHE’S BREAKIN’ THE CHAIN

CHORUS:
BRIDGE:

NOBODY KNOWS THE DREAMS SHE DARES TO DREAM
THE PLANS SHE HAS MADE
OR THE TIMES SHE HAS PRAYED INSIDE
OR WHAT TEARS AT HER PRIDE

1987 April Music Inc/Desmobile Music Co/Is Hot Music ASCAP
Produced by Desmond Child
Drums: Jimmy Bralower and Jerry Marotta
Bass: Tony Levin
Guitar: John Putman
Keyboards/Synthesizer: Gregg Mangiafico and Chuck Kentis
Featured Background Vocal: Myriam Valle
Additional Background Vocals: Elaine Caswell, Myriam Valle, Joe Lynn Turner, Louis Merlino, Bernie Shanahan, Desmond Child
Recorded by Arthur Payson
Additional Engineering by: Gene Parciasepe
Recorded at Bearsville Sound and The Hit Factory NY
Mixed by David Thoener
Mixed at The Record Plant NY
Bernie Shanahan appears courtesy of Atlantic Records

HARD ENOUGH GETTING OVER YOU
(MICHAEL BOLTON/DOUG JAMES)

FOR THE FIRST TIME, IN SUCH A LONG TIME
I’VE BEEN FEELIN’ THERE’S SOME REASON
TO HOLD ON THROUGH THE NIGHT
AND FOR THE FIRST TIME SINCE YOU BROKE THIS HEART OF MINE
I FIND MYSELF BELIEVIN’
IT’S REALLY GONNA BE ALRIGHT
NOW YOU’RE ASKIN’ ME TO LET YOU WALK BACK INTO MY LIFE
SOMETHING I CAN’T BRING MYSELF TO DO

CHORUS:

‘CAUSE IT’S BEEN HARD ENOUGH GETTING’ OVER YOU
YA KNOW YOU KEPT ME HOLDIN’ ON TILL THE END
OH IT’S BEEN HARD ENOUGH GETTING’ OVER YOU
I DON’T THINK THAT I COULD SAY GOODBYE AGAIN
I COULD TRUST YOU, BUT IT’S OUT OF MY HANDS
I ONCE BELIEVED YOUR PROMISES
BELIEVED IN EVERY WORD YOU SAID
I STILL LOVE YOU BUT MY HEART WON’T TAKE THE CHANCE
THAT ALL THE PAIN I’VE LEFT BEHIND ME
MIGHT BE WAITING FOR ME UP AHEAD
JUST REMEMBER IT WAS YOU WHO WALKED RIGHT OUT OF MY LIFE
NO YOU DON’T KNOW WHAT I’VE BEEN THROUGH

CHORUS:

I MADE A PROMISE TO MYSELF
AND THIS ONE I’M NOT GONNA BREAK
I’VE MADE IT WITHOUT YOU, AND I’M NOT ABOUT TO
JUST TURN AROUND AND MAKE THE SAME MISTAKE

CHORUS:

‘CAUSE IT’S BEEN HARD ENOUGH GETTIN’ OVER YOU
YA KNOW YOU KEPT ME HOLDIN’ ON TILL THE END
OH IT’S BEEN HARD ENOUGH GETTING’ OVER YOU
I DON’T THINK THAT I COULD SAY GOODBYE
I DON’T THINK I COULD SAY GOODBYE
I KNOW THAT I CAN’T SAY GOODBYE AGAIN

1987 April Music Inc/Is Hot Music/Wilber Music ASCAP
Produced by: Michael Bolton for MBQ Productions Inc
Additional Production by: Albhy Galuten
Drums: Albhy Galuten
Bass: Will Lee
Guitar: John McCurry, Ira Siegel
Keyboards: Jeff Bova, Phil Ashley
Background Vocals: Patty Darcy, Vicki Sue Robinson
Recorded by: Michael Christopher
Additonal Engineering: Mark Partis
Recorded at Power Station NY Oceanway Studios LA and Soundtrack Studios NY
Mixed by David Thoener
Mixed at The Record Plant NY

THE SONNY SIDE OF CHER

SOMETHING SPECIAL
IT CAN BE THE FIRST TIME YOU TASTED CHOCOLATE ICE CREAM ON A HOT SUMMER DAY,
OR THE FIRST RAY OF SUNSHINE BREAKING THROUGH THE NIGHT’S BLACKNESS. TO SOME IT CAN BE CRYSTAL RAINDROPS SETTLED ON COOL GREEN LEAVES, OR THE SOUND OF THAT SAME CRYSTAL RAIN GENTLY FALLING ON TILE ROOFTOPS. FOR OTHERS IT MAY BE THE CHIRPING SOUND OF THE NIGHT CRICKETS,
OR THE STRUM OF A GUITAR STRING FROM THE HOUSE NEXT DOOR BREAKING THE NIGHT STILLNESS. IT COULD BE A SONG THAT REMINDS YOU OF ANOTHER TIME, PLACE, SOMEONE,
OR THE SENSATION RECEIVED FROM CERTAIN WORDS, SOUNDS, RHYTHM – IT’S ALL FEELING, AND WHATEVER IT IS, IT IS SIGNIFICANT FOR YOU AND ONLY YOU.

THIS ALBUM HAS FEELING; ITS SONGS ARE SPECIAL. SPECIAL, NOT ONLY BECAUSE OF THE MATERIAL, BUT BECAUSE THEY ARE SUNG BY CHER. SHE HOPES THERE IS SOMETHING SPECIAL HERE FOR YOU. YOU ARE SPECIAL TO HER, AND THIS IS HER WAY OF TELLING YOU.

RICHARD OLIVER

“BANG BANG”
(MY BABY SHOT ME DOWN)

ELUSIVE BUTTERFLY

WHERE DO YOU GO

OUR DAY WILL COME

THE GIRL FROM IPANEMA

IT’S NOT UNUSUAL

LIKE A ROLLING STONE

TIME

COME TO YOUR WINDOW

OLD MAN RIVER

MILORD

A YOUNG GIRL (UNE ENFANTE)

Arranger: Harold Battiste Jr.
Engineers: Stan Ross & Larry Levine
Art Direction: Woody Woodward
Cover Photography: Ken Kim
Back Photography: Robert W Young
Licensed by York Records
Produced by Sonny Bono

A VERY SPECIAL THANKS TO SOME OF THE GREATEST MUSICIANS IN HOLLYWOOD FOR THEIR PART IN MAKING THIS ALBUM POSSIBLE.

LIVE IN LAS VEGAS VOL. 2

SONNY & CHER
RECORDED LIVE AT SAHARA HOTEL, LAS VEGAS JULY – AUGUST 1973

SIDE ONE
RECORD 1

1. ALL I EVER NEED IS YOU . . . . . . . . . . . 6:22
(REEVES-HOLIDAY)
UNITED ARTISTS MUSIC CO., INC – RACER MUSIC CORP
ASCAP – MUSIC-COMEDY DIALOGUE

2. (a) I CAN SEE CLEARLY NOW . . . . . . . . 7:58
(JOHNNY NASH)
CAYMAN MUSIC, LTD – ASAP
(b) YOU’VE GOT A FRIEND
(CAROLE KING)
COLGEMS MUSIC CORP. – ASCAP
(c) WHERE YOU LEAD
(CAROLE KING – TONI STERN)
COLGEMS MUSIC CORP – ASCAP
REPRISE: YOU’VE GOT A FRIEND

SIDE 4

INTRODUCTION . . . . . . . . . . . . . . . . . . . . .1:43

1. (a) YOU’D BETTER SIT DOWN KIDS . . .11:50
(SONNY BONO)
COTILLION MUSIC, INC/CHRIS-MARC MUSIC – BMI
(b) A COWBOY’S WORK IS NEVER DONE
(SONNY BONO)
CHRIS-MARC MUSIC – BMI
BAND INTRODUCTION

2. I GOT YOU BABE . . . . . . . . . . . . . . . . . . 3:07
(SONNY BONO)
COTILLION MUSIC, INC/CHRIS-MARC MUSIC-BMI

SIDE TWO
RECORD 2

COMEDY MONOLOGUE . . . . . . . . . . . . . . 3:36

1. GYPSYS, TRAMPS & THIEVES . . . . . . .2:28
(BOB STONE)
PESO MUSIC – BMI

2. BROTHER LOVE’S TRAVELING . . . . . . . 3:36
SALVATION SHOW
(NEIL DIAMOND)
STONEBRIDGE MUSIC – BMI

3. YOU AND I . . . . . . . . . . . . . . . . . . . . . . .5:15
(STEVIE WONDER)
STEIN & VAN STOCK INC/BLACK BULL MUSIC, INC
ASCAP

SIDE 3

1. SUPERSTAR . . . . . . . . . . . . . . . . . . . . . 10:21
(LEON RUSSELL-BONNIE BRAMLETT)
SKYHILL PUBL CO INC/DELBON PUBLISHING COMPANY BMI

COMEDY DIALOGUE

2. BANG BANG . . . . . . . . . . . . . . . . . . . . . 6:00
(SONNY BONO)
COTILLION MUSIC, INC/CHRIS-MARC MUSIC-BMI
PRODUCED BY DENIS PREGNOLATO
ENGINEERED BY: LENNY ROBERTS
EQUIPMENT: WALLY HEIDER
PHOTOGRAPHY: THOR
RHYTHM SECTION:
DAVID PAICH: CONDUCTOR, PIANO, ORGAN
DAVID HUNGATE: BASS
JEFF PORCARO: DRUMS
DAN FERGUSON: GUITAR
DEAN PARKS: GUITAR
JACK EGLASH: ORCHESTRA

ALL I EVER NEED IS YOU

ALL I EVER NEED IS YOU
SIDE 1
ALL I EVER NEED IS YOU . . . . . . . . . . . . . . . . . 2:38
REEVES-HOLIDAY

HERE COMES THAT RAINY DAY FEELING . . . .2:33
MCCAULEY-GREENWAY-COOK

MORE TODAY THAN YESTERDAY . . . . . . . . . .2:30
UPTON
CRYSTAL CLEAR/MUDDY WATERS . . . . . . . . 2:39
LAURIE
UNITED WE STAND . . . . . . . . . . . . . . . . . . . . .2:35
HILLER-SIMMONS

SIDE 2
A COWBOYS WORK IS NEVER DONE . . . . . .3:14
BONO

I LOVE WHAT YOU DID WITH THE LOVE I GAVE YOU .2:20
LAURIE-TUCKER

YOU BETTER SIT DOWN KIDS . . . . . . . . . . . . 3:16
BONO

WE’LL WATCH THE SUN COMING UP . . . . . .2:29
(SHINING DOWN ON OUR LOVE)
ROBERTS-WELCH

SOMEBODY . . . . . . . . . . . . . . . . . . . . . . . . . . .3:07
BONO

PRODUCED BY SNUFF GARRETT FOR GARRETT MUSIC ENTERPRISES
ARRANGEMENTS BY AL CAPPS
ENGINEER: LENNIE ROBERTS
“COWBOYS WORK IS NEVER DONE” PRODUCED BY SONNY BONO &
SNUFF GARRETT
“SOMEBODY” PRODUCED BY SONNY BONO
ART DIRECTION: VIRGINIA CLARK
DESIGN: SANDRA NELSON
PHOTOGRAPHY: TONY ESPARZA

MCA RECORDS INC 100 UNIVERSAL CITY PLAZA, UNIVERSAL CITY, CALIFORNIA AND 445 PARK AVENUE NEW YORK NEW YORK – U.S.A.
MCA RECORDS INC 1972 PRINTED IN U.S.A.

SONNY - INNER VIEW

SIDE 1
1. I JUST SIT THERE (Time:12:15)
2. I TOLD MY GIRL TO GO AWAY (Time:4:15)
SIDE 2
1. I WOULD MARRY YOU TODAY (Time: 4:21)
2. MY BEST FRIEND’S GIRL IS OUT OF SIGHT (Time: 4:13)
3. PAMMIE’S ON A BUMMER (Time: 7:45)
_________________________________________
ALL THE SONGS ON THIS LP WERE WRITTEN AND
COMPOSED BY SONNY BONO, AND ARE
PUB LISHED BY CHRIS-MARC & COTILLION, BMI.

PRODUCED BY SONNY BONO
ARRANGED BY DONALD PEAKE
RECORDING ENGINEER: STAN ROSS
COVER DESIGN: BARRY PRAGER
BACK LINER PHOTO: JEFF EISEN
_________________________________________
THIS IS A STEREO RECORDING. FOR BEST RESULTS OBSERVE
THE R.I.A.A. HIGH FREQUENCY ROLL-OFF CHARACTERISTIC
WITH A 500 CYCLE CROSSOVER.
ATCO RECORDS
1841 BROADWAY, NEW YORK, N.Y. 10023

DIVISION OF ATLANTIC RECORDING CORPORATION
1967 ATLANTIC RECORDING CORPORATION
PRINTED IN USA

LYRICS:

I JUST SIT THERE
INSIDE OUTSIDE UPSIDE DOWN
EVERYTHING IS TURNING ROUND
BACKWARDS FORWARDS WHICH IS RIGHT
BLACK IS DAY AND WHITE IS NIGHT
SMELL THE AIR IT’S REAL UP TIGHT
I JUST SIT THERE
I JUST SIT THERE
TRIPPERS STRIPPERS HIPS OR SQUARES
DIVIDE THE LINE AND TELL ME WHERE
OH MY GOD I’M GROWING UP
HOW THE HELL DO I FILL MY CUP
FIND THE START
GO FIND THE END
BREAK THE CIRCLE AND YOU’LL GET IN
GET YOUR KICKS WHEN YOU’RE IN THAT SPIN
THEN HELP ME OUT
TELL ME WHERE YOU’VE BEEN
IF YOU KNOW CHECKMATE YOU WIN
I JUST SIT THERE
I JUST SIT THERE
RING AROUND THE ROSEY
YOUR DADDY’S GETTING NOSEY
YOUR MOTHER’S COOKIN’ STURGEON
YOUR SISTER’S STILL A VIRGIN
PRETTY SOON THAT’LL DISAPPEAR
GOOD MORNING SUN
A NEW FRONTIER
MUCH TO MY ACUTE SURPRISE
SUNDAY MORNING HAS STILL SURVIVED
EVALUATE IF IT’S REALLY ALL IN VAIN
IT’S USUALLY HEARD THROUGH A GLASS THAT’S STAINED
FIFTY-SIXTY PEOPLE MOAN
TO A MONGREL’S EARS LOOKING FOR A BONE
MINE EYES HAVE SEEN THE GLORY OF THE COMING
OF THE LORD
HOW ‘BOUT THAT THEY HARMONIZE
WITH A CAR THAT’S DOING FIFTY-FIVE
ISN’T THAT WILD MACHINES CAN SING
THE DRIVER’S DIGGING EVERYTHING
AND HE JOINS IN WHILE FOUR CATS SING
I READ THE NEWS TODAY OH BOY
I JUST SIT THERE
I JUST SIT THERE
I WONDER WHY WE WANT TO FLY
THE CLOSER WE GET TO THE SKY
THE LESS WE SEE WITH THE NAKED EYE
THE WORLD LOOKS LIKE A LITTLE BALL
AND PEOPLE DON’T EXIST AT ALL
OH WOW!

I TOLD MY GIRL TO GO AWAY
I TOLD MY GIRL TO GO AWAY
SHE ASKED ME IF I MEANT TODAY
I TOLD HER NO I MEANT FOREVER
I’D SEE HER NEVER NEVER AGAIN

SHE GRABBED MY HAND I WATCHED HER CRY
SHE FOUGHT HER TERS AND ASKED ME WHY
WITHOUT YOU NEAR I THINK I’D DIE
I HEARD HER SAY WHAT CAN I DO
TO MAKE YOU STAY

I TOLD MY GIRL TO GO AWAY
THE WORDS I SPOKE WERE HARD TO SAY
THE PAIN INSIDE SHE COULD NOT SEE
HOW COULD I TELL HER AS MUCH AS I LOVED HERE
WE’D NEVER BE

I TOLD MY GIRL TO GO AWAY
I DON’T LOVE YOU I HAD TO SAY
AND THEN I DIED THAT DAY I LIED
NOW ALL MY LIFE I’LL HAVE TO SAY
GO AWAY

I TOLD MY GIRL TO GO AWAY
I TOLD MY GIRL TO GO AWAY

I WOULD MARRY YOU TODAY
I WOULD MARRY YOU TODAY IF YOU’D LET ME
I WOULD DO IT RIGHT AWAY IF YOU LET ME
I WOULD PUT YOUR HAND IN MINE
AND I’D MARCH IN FOUR FOUR TIME
WHILE A BROKEN DOWN OLD ORGAN PLAYED
IT’S LINE “HERE COMES THE BRIDE”

YOU ARE JANGLING MY NERVES AND I LET YOU
YOU SO SKILLFULLY WON’T FREE ME TO REJECT YOU
YOU ARE HAVING FUN AND GAMES
I WISH THAT I COULD SAY THE SAME
BUT THE NAME OF THE GAME
JUST HAPPENS TO BE ME TO BE ME

I WOULD MARRY YOU TODAY THOUGH YOU TAUNT ME
AND I’M JUST A TOY FOR PLAY WHEN YOU WANT ME
AND IT’S ALL JUST TOO INSANE
BUT I GUESS I CAN’T COMPLAIN
‘CAUSE THE FACT WILL STILL REMAIN
THAT YOU GOT ME AND I’D MARRY YOU

MY BEST FRIEND’S GIRL IS OUT OF SIGHT
I JUST GOT HOME AND I DON’T FEEL RIGHT
WENT ON A DOUBLE DATE TONIGHT
I’M TRYING TO REST BUT I FEEL UP TIGHT
MY BEST FRIEND’S GIRL IS OUT OF SIGHT

I WATCHED THEM KISS I WATCHED THEM HUG
MY STOMACH TURNED AND I GOT BUGGED
MY GIRL FRIEND SAID ARE YOU ALL RIGHT
MY BEST FRIEND’S GIRL IS OUT OF SIGHT

GET A HOLD OF YOURSELF 'CAUSE YOU’RE NOT FREE
AND EVEN WORSE THAN THAT NEITHER IS SHE
I’M SURE THAT IT’S JUST PLAIN INFATUATION
SO YOU BETTER BACK OFF
IT’S A BAD SITUATION
I KEPT TELLING MYSELF DON’T BELIEVE WHAT YOU SEE
BUT SOMEHOW I FELT SHE WAS DIGGING ON ME

THE HOURS PASSED LIKE A LONG NIGHTMARE
I KISSED MY GIRL BUT IT WASN’T THERE
I KEPT ON DREAMING WHILE I HELD HER TIGHT
MY BEST FRIEND’S GIRL IS OUT OF SIGHT

I STARTED THINKING OUT OF LINE
PRETENDING THAT HIS GIRL WAS MINE
MY EYES WATCHED HER THE WHOLE DAMNED NIGHT
MY BEST FRIEND’S GIRL IS OUT OF SIGHT

GET A HOLD OF YOURSELF ‘CAUSE YOU’RE NOT FREE
AND EVEN WORSE THAT THAT NEITHER IS SHE
I’M SURE THAT IT’S JUST PLAIN INFATUATION
SO YOU BETTER BACK OFF IT’S A BAD SITUATION
I KEPT TELLING MYSELF DON’T BELIEVE WHAT YOU SEE
BUT SOMEHOW I KNEW SHE WAS DIGGING ON ME

I THOUGHT THAT WE’D BE FRIENDS FOR LIFE
UNTIL HE PICKED HIS FUTURE WIFE
NOW ALL THAT’S CHANGED IN JUST ONE NIGHT
MY BEST FRIEND’S GIRL IS OUT OF SIGHT

PAMMIE’S ON A BUMMER
PAMMIE’S ON A BUMMER NOW
AND NOBODY KNOWS WHERE SHE’S AT
SHE COULD BE ALMOST ANYWHERE
MAYBE SOMEDAY SHE’LL BE BACK

SHE WAS A PRETTY GIRL BUT; SHE HAD HER BODY FOR SALE
THE ONLY PROBLEM THEN WAS TO KEEP HERSELF OUT OF JAIL
BUT SHE HAD NUMBLE FEET
SHE STAYED ONE STEP IN FRONT OF THE HEAT
EVEN THOUGH SHE WAS AFRAID
SHE MAINTAINED HER LUCRATIVE TRADE

WITH THE BIRTH OF EACH DATE SHE HAD OPTIMISTIC FAITH
THAT SHE’D FIND OUT WHERE SHE WAS AT
AND THE RADIO WOULD PLAY ALL THE SONGS OF TODAY
POINTING OUT THAT HER THEORY WAS FACT
BUT STILL INSIDE SHE’D CRY
WHEN SHE WENT TO BED TO BED WITH SOME GUY
WHO PAID THE PRICE TO HOLD HER TIGHT
WHO HAD THE BREAD TO KEEP HER ALL NIGHT

SHE STARTED SMOKING POT
JUST TO KEEP HERSELF FROM FLIPPING
BUT IT WASN’T STRONG ENOUGH
SO SHE GRADUATED TO TRIPPING
EVERY DAY SHE’D TAKE A RIDE
TO HIDE FROM THE WORLD OUTSIDE
AND ALL HER TEARS WERE VERY COOL
‘CAUSE THEY WERE EASY TO HIDE

PAMMIE’S ON A BUMMER NOW
AND NOBODY KNOWS WHERE SHE’S AT
FATE GAVE HER ONE MORE VICIOUS BLOW
SHE GOT HUNG UP ON AN UNTOUCHABLE CAT
PAMMIE’S ON A BUMMER NOW
AND NOBODY’S KNOWS WHERE SHE’S AT
SHE COULD BE ALMOST ANYWHERE
MAYBE SOMEDAY SHE’LL BE BACK

THE WONDROUS WORLD OF SONNY & CHER

SIDE 1
1. SUMMERTIME . . . . . . . . . . . . . . . . . . . . 2:35
(BY DUBOSE HEYWARD & GEORGE GERSHWIN; GERSHWIN & NEW WORLD, ASCAP)
2. TELL HIM . . . . . . . . . . . . . . . . . . . . . . . . 2:34
(BY BERT RUSSELL; MELLIN, BMI)
3. I’M LEAVING IT ALL UP TO YOU . . . . . . . 2:18
(BY DON BOWMAN HARRIS & DEWEY TERRY; VENICE BMI)
4. BUT YOU’RE MINE . . . . . . . . . . . . . .3:02
(BY SONNY BONO; FIVE-WEST & COTILLION BMI)
5. BRING IT ON HOME TO ME . . . . . . . . . . . . . . . . . . . 3:04
(BY SAM COOKE; KAGS BMI)
6. SET ME FREE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:20
(BY RAY DAVIES; AMERICAN METROPOLITAN ENTERPRISES BMI)
SIDE 2
1. WHAT NOW MY LOVE . . . . . . . . . . . . . . . . . . . . . . .3:28
(BY CARL SIGMAN, GILBERT BECAUD & PIERRE DELANOE; REMICK ASCAP)
2. LEAVE ME BE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:03
(BY CHRIS WHITE; AL GALLICO BMI)
3. I LOOK FOR YOU . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:40
(BY SONNY BONO; FIVE-WEST & COTILLION BMI)
4. LAUGH AT ME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:50
(BY SONNY BONO; FIVE-WEST & COTILLION BMI)
5. TURN AROUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:47
(BY MALVINA REYNOLDS, ALAN GREENE HARRY BELAFONTE; CLARA, ASCAP)
6. SO FINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2:30
(BY JOHNNY OTIS: ELDORADO BMI)
ARRANGED & PRODUCED BY SONNY BONO
A YORK-PALA PRODUCTION
SUBSIDIARY OF: GREENE/STONE ENTERPRISES
CONDUCTED BY: HAROLD BATTISTE
ENGINEER: STAN ROSS, GOLD STAR STUDIOS, HOLLYWOOD CA
COVER PHOTO: JERRY SCHATZBERG
BACK LINER PHOTOS: ROBERT W YOUNG
COVER DESIGN: HAIG ADISHIAN

SONNY & CHER CAN ALSO BE HEARD ON ATCO LP 33-177:
LOOK AT US

THIS IS A HIGH FIDELITY RECORDING. FOR BEST RESULTS OBSERVE THE R.I.A.A. HIGH FREQUENCY ROLL-OFF CHARACTERISTIC WITH A 500 CYCLE CROSSOVER.

ATCO RECORDS DIVISION OF ATLANTIC RECORDING CORP
1841 BROADWAY NEW YORK NY 10023
1966 ATLANTIC RECORDING CORP - PRINTED IN U.S.A.

S & C
SONNY & CHER
HOLLY WOOD, CALIFORNIA

DEAR FRIENDS:
IN OUR FIRST ALBUM WE INTRODUCED OUR FAMILY TO YOU, AS MOST OF YOU KNOW, AND THE REASON WE DID THAT IS BECAUSE A LOT OF FANS LIKE TO KNOW MORE ABOUT ARTISTS THAN JUST THE STATISTICS THEY READ ON THE BACK OF ALBUMS. ON THIS ALBUM WE THOUGHT IT WOULD BE NICE IF WE GOT TO BE FRIENDS PERSONALLY.

ALSO WE THINK NOW IS A GOOD TIME TO SAY ‘THANK YOU” TO A LOT OF WONDERFUL PEOPLE IN A LOT OF DIFFERENT PLACES. WE’VE TOURED ALL OVER THE COUNTRY AND MET PEOPLE EVERYWHERE WHO HAVE BEEN VERY KIND TO US. THIS GIVES US A GOOD CHANCE TO THANK AL OF YOU, BECAUSE IF IT WASN’T FOR PEOPLE LIKE YOU WE WOULDN’T BE WHAT WE ARE.

THERE ARE SO MANY THINGS TO THANK YOU FOR, SO MANY DIFFERENT THINGS, THAT WE WOULD HAVE TO GO ON FOREVER NAMING THEM – CAKES THAT FANS HAVE BAKED FOR US, DOLLS THEY HAVE GIVEN US, POEMS, RINGS, OR ANYTHING THAT THEY FEEL IS CLOSE TO THEM AND THAT THEY WANT US TO HAVE. THIS IS THE ONLY WAY WE CAN TELL YOU WE APPRECIATE YOU FOR YOUR KINDNESS.

LOVE
SONNY & C HER

THE TWO OF US

SIDE ONE
1. I GOT YOU BABE . . . . . . . . . . . . . . . . .3:09
(BY SONNY BONO; COTILLION/CHRIS MARC, BMI
2. UNCHAINED MELODY . . . . . . . . . . . . .3:48
(BY ALEX NORTH & HY ZARET; FRINK, ASCAP
3. THEN HE KISSED ME . . . . . . . . . . . . . .2:51
(BY PHIL SPECTOR, ELLIE GREENWICH & JEFF BARRY; MOTHER BERTHA/TRIO, BMI
4. SING C’EST LA VIE . . . . . . . . . . . . . . . .3:37
(BY SONNY BONO, C GREENE & B STONE; COTILLION/CHRIS MARC BMI
5. IT’S GONNA RAIN . . . . . . . . . . . . . . . .2:23
(BY SONNY BONO; COTILLION/CHRIS MARC BMI
6. BABY DON’T GO . . . . . . . . . . . . . . . . .3:05
(BY SONNY BONO; TEN EAST/MOTHER BERTHA BMI
SIDE TWO
1. JUST YOU . . . . . . . . . . . . . . . . . . . . . . .3:25
(BY SONNY BONO; COTILLION/CHRIS MARC BMI
2. THE LETTER . . . . . . . . . . . . . . . . . . . . . 2:06
(BY DON F BOWMAN HARRIS & DEWEY TERRY, JR; VENICE BMI
3. LET IT BE ME . . . . . . . . . . . . . . . . . . . . 2:27
(BY MANN CURTIS & GILBERT BECAUD; MCA ASCAP
4. YOU DON’T LOVE ME . . . . . . . . . . . . . 2:26
(BY WILLIE COBBS; FREDERICK/KATRINA BMI
5. YOU’VE E REALLY GOT A HOLD ON ME 2:14
(BY WILLIAM ROBINSON; JOBETE ASCAP
6. WHY DON’T THEY LET US FALL IN LOVE . . .2:30
(BY PHIL SPECTOR, ELLIE GREENWICH & JEFF BARRY; MOTHER BERTH/TRIO BMI

PERSONNEL FOR ALL SELECTIONS EXCEPT BABY DON’T GO
DRUMS: FRANK CAPP, EARL PALMER, HAL BLAINE
PIANO: HAROLD BATTISTE, DON RANDI
HARPSICHORD: MIKE RUBINI
BASS: LYLE RITZ, CLIFF HILS
GUITAR: DON PEAKE, BARNEY KESSEL, STEVE MAN, HOWARD ROBERTS, MONTE DUNN
PERCUSSION: JULIUS WECHTER, GENE ESTES, BRIAN STONE
RECORDED AT GOLD STAR STUDIOS, HOLLYWOOD, CALIFORNIA
ENGINEER: STAN (CHOO CHOO) ROSS
ARRANGED AND PRODUCED BY SONNY BONO
A YORK-PALA PRODUCTION
SUBSIDIARY OF GREENE/STONE ENTERPRISES

BABY DON’T GO
ARRANGED & PRODUCED BY SONNY BONO
A YORK RECORDS PRODUCTION
SUBSIDIARY OF GREEN/STONE ENTERPRISES

SIDE THREE
1. THE BEAT GOES ON . . . . . . . . . . . . . . . . . 3:23
(BY SONNY BONO, COTILLION/CHRIS-MARC BMI
2. GROOVY KIND OF LOVE . . . . . . . . . . . . . .2:20
(BY TONI WINE & CAROLE BAYER; SCREEN GERMS-COLUMBIA BMI
3. YOU BABY . . . . . . . . . . . . . . . . . . . . . . . . .2:45
(BY PHIL SPECTOR, BARRY MANN &CYNTHIA WEIL; SCREEN GEMS-COLUMBIA BMI
4. MONDAY . . . . . . . . . . . . . . . . . . . . . . . . . .2:55
(BY SONNY BONO; COTILLION/CHRIS-MARC BMI
5. LOVE DON’T COME . . . . . . . . . . . . . . . . . .3:02
(BY SONNY BONO, COTILLION/CHRIS-MARC BMI
6. PODUNK . . . . . . . . . . . . . . . . . . . . . . . . . . . 2:53
(BY SONNY BONO; COTILLION/CHRIS-MARC BMI
SIDE FOUR
1. LITTLE MAN . . . . . . . . . . . . . . . . . . . . . . . . .3:15
(BY SONNY BONO, COTILLION/CHRIS-MARC BMI
2. WE’LL SING IN THE SUNSHINE . . . . . . . . . .2:40
(BY GALE GARNETT; LUPERCALIA ASCAP
3. MISTY ROSES . . . . . . . . . . . . . . . . . . . . . . . .3:05
(BY TIM HARDIN; KOPPELMAN-RUBIN BMI
4. STAND BY ME . . . . . . . . . . . . . . . . . . . . . . . .3:40
(BY BEN E KING & ELMO GLICK; HILL & RANGE/ADT/TRIO BMI
5. LIVING FOR YOU . . . . . . . . . . . . . . . . . . . . . .3:30
(BY SONNY BONO; COTILLION/CHRIS-MARC BMI
6. CHERYL’S GOIN’ HOME . . . . . . . . . . . . . . . . .2:40
(BY BOB LIND; METRIC BMI
CONDUCTED BY: HAROLD BATTISTE
ENGINEER: STAN TOSS, GOLD STAR STUDIOS, HOLLYWOOD CALIFORNIA
ARRANGED AND PRODUCED BY SONNY BONO
PHOTOGRAPHY: JIM WOOD
ALBUM DESIGN: RICHARD MANTEL

MUSIC IS THE OXYGEN OF MY WORLD

Thursday, November 19, 2009

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